Theatre The Second Performancerar Hot Fixed: The Doors Live At The Aquarius
: A gritty, rolling blues jam that captured Morrison’s raw vocal power.
Unlike the first show, which opened with a bluesy “Back Door Man,” the second show explodes. Here are the critical moments that make this recording radioactive:
: The band leaned heavily into their roots with extended workouts of "Little Red Rooster," "Rock Me Baby," and a nearly 10-minute version of "Gloria". Future Classics : A gritty, rolling blues jam that captured
: The album is available for digital listening on Spotify .
Morrison turned his back to the crowd. He picked up a small, empty bottle of Jim Beam that had been resting on his amplifier. He held it up to the light. It caught the blue gel, turning the glass into a dark sapphire. He pretended to drink from it, then smashed it on the stage floor. Future Classics : The album is available for
The Aquarius Theatre shows, booked by Elektra Records, were intended to be a controlled environment. The band wanted to record high-quality live material for a future album, and the intimate, 1,200-seat theater provided the perfect venue. The stakes were incredibly high; the band needed to prove they were still a functioning, world-class musical unit, not just a liability. The Atmosphere of the Second Performance
Recognizing the immense demand and the cultural value of the tapes, The Doors' surviving members launched in the early 2000s. This archival label was created specifically to bypass bootleggers and provide fans with official, unedited, and remastered concert audio. He held it up to the light
Includes "Back Door Man," "Break On Through," and a 12-minute version of "When the Music's Over".
| Disc | Track Title | Songwriter(s) | Time | | :--- | :--- | :--- | :--- | | | | | | | | Concert Introduction and Tuning | | 2:07 | | | Jim's Introduction | | 0:11 | | | Back Door Man | Willie Dixon, Chester Burnett | 4:35 | | | Break On Through (To the Other Side) | Jim Morrison | 3:53 | | | When the Music's Over | The Doors | 12:07 | | | (tuning) | | 0:58 | | | You Make Me Real | Jim Morrison | 3:06 | | | (tuning) | | 0:25 | | | Universal Mind | The Doors | 4:42 | | | The Crowd Humbly Requests | | 2:16 | | | Mystery Train/Crossroads | Herman Parker Jr., Sam Phillips | 5:59 | | | The Crowd Again Requests | | 0:12 | | | Little Red Rooster | Willie Dixon | 6:29 | | | (tuning) | | 0:49 | | | Gloria | Van Morrison | 10:03 | | | (tuning) | | 0:52 | | Disc Two | | | | | | Touch Me | Robby Krieger | 3:29 | | | The Crystal Ship | Jim Morrison | 3:27 | | | (tuning) | | 0:49 | | | Light My Fire | The Doors, Jim Morrison | 13:53 | | | The Crowd Requests Their Favorites | | 0:58 | | | The Celebration of the Lizard | Jim Morrison | 14:59 | | | A Request of the Management | | 6:46 | | | Soul Kitchen | The Doors | 6:51 | | | Jim Introduces Ray | | 1:02 | | | Close To You | Willie Dixon | 4:29 | | | Peace Frog (Instrumental) | The Doors, Jim Morrison | 2:12 | | | Blue Sunday | Jim Morrison | 2:36 | | | Five To One | The Doors, Jim Morrison | 2:38 | | | The Crowd Again Requests Their Favorites | | 5:48 | | | Jim Introduces the Movie | | 0:44 | | | Rock Me Baby | B.B. King, Joe Josea | 1:06 | | | A Conversation With the Crowd | | 7:39 |
Recognizing the immense historical value of the tapes, (The Doors' archival label) officially remastered and released the complete second performance in 2001. This release vindicated the band's musical reputation, proving that beneath the media circus and controversial headlines, The Doors remained one of the most formidable, disciplined, and innovative live acts of the 1960s.