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David Cronenberg’s Crash (1996) is not a film for everyone. It is a cold, detached, and visceral exploration of the intersection between technology, violence, and sexual desire. Adapted from J.G. Ballard’s novel, the film follows a TV producer (James Spader) who, after a near-fatal car accident, is drawn into a subculture of symphorophilia—people who are sexually aroused by car crashes. If you’d like, I can instead: The desire

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Upon its release in 1996, Crash polarized audiences and critics alike.